Of the earliest pioneers in the invention of practical photograpic arts, the Meade Brothers hold a prominent role with its introduction in the United States. In the early days of photography, the process was known as daguerreotyping. Invented and perfected by Louis Daguerre in 1836 Paris, the process made its way over the Atlantic and into the United States shortly thereafer.
The two brothers, Henry William Matthew and Charles Richard, were born in England and emigrated to the United States around 1833.
Still teenagers, in 1842 the two brothers founded a daguerreotype studio in Albany, where they studied and practiced the newly discovered process, and offered portrait services to New York’s public.
Over the next two years the two brothers perfected their processes, and their firm quickly blossomed into a booming business.
Having tasted success, they expanded their business and opened additional studios in Saratoga Springs, Williamsburgh, and Buffalo.
There they invented and improved several daguerreotype processes, and won multiple prestigious awards.
And as their processes and techniques improved, they spent significant time travelling — shooting photographs of cities, people, and landmarks throughout the United States and Western Europe.
In the middle part of 1850 launched an enormous daguerreotype operation in New York City, and sold their other studios shortly thereafter. Located at 233 Broadway, they built a facility that specialized in multiple aspects of the photographic arts.
Within the building the brothers constructed an exhibition area, where the public could view free of charge their daguerreotype pieces. Ornately decorated and tastfully baroque, by June of 1852 the gallery boasted nearly one thousand daguerreotypes made by the two brothers.
Many of their photographic subjects were of prominent people of the day. Portraits of Emperor Luis Napoleon, Samuel Morse, Daniel Webster, President James Buchanan, John Frement, and Henry Clay were just a few of the luminaries. Eerily, the brothers also photographed President Lincoln’s assassin — the actor John Wilkes Booth.
In addition to human subjects, the two brothers showcased their photographs of landscapes, nature, and iconic places they had visited throughout the U.S. and Europe. Daguerreotypes of Niagra Falls, Shakespeare’s home, the Arc de Triomph, and Notre Dame were but just some of the landmarks displayed in their collection.
Visitors to their gallery were enthralled with their works; Until that time the majority of Americans had never seen the likenesses of such people and places, except by way of sketches, engravings, and line drawings in books.
With the advent of daguerreotyping, average Americans were able for the first time partake and behold the beauty of far away places and subjects, seeing their true images captured in life-like photographs.
The brothers’ operation not only served as a means to showcase their works. Within the building, they had also constructed sophisticated photographic facililties.
Replete with waiting areas, dressing rooms, and developer labs, they built two separate studios for taking portraits. To accomodate group photos, they outfitted their facilities with the capacity to photograph large numbers of people at the same time. Not only was their operation ideal for individuals to have their photographs taken, but it also served as an ideal place for schools and colleges to take class photos.
From all over America their firm was a magnet for artisans and craftsmen. Engravers, sculptors, painters, lithographers, and die-cutters all came to see the brothers’ works, and to learn how to adapt their crafts to take advantage of the newly emerged photographic arts.
For the next eight years the brothers’ firm enjoyed much success. Having begun as a small studio in Albany, their photographic business evolved and exploded, and grew to become a world-renowned dageurreotype firm that employed ten assistants.
Their partnership also broadened as a family affair. In the early 1850s their sister Mary A. Meade joined the business. Working under the supervision of her brothers, she was taught the intricacies of daguerreotyping, and is regarded as being history’s first woman daguerreotypist.
Sadly the brothers’ partnership was not to endure. In March of 1858 Charles Richard died.
Enduring several years of ill health, the younger brother passed-away at the early age of 31. Despite the tragedy, Henry Meade sojourned onward, and continued the business along with his sister.
There the firm continued to operate through the Civil War until January 1865, when Henry William Matthew died himself.
Suffering from a long bout of melancholy and depression, he committed suicide by consuming four ounces of laudanum poison.
Numismatic Specimens
Below are the two tokens issues by the Meade Brothers.
The first specimen is cataloged as Miller NY-530A. Struck in brass, it measures 28mm in diameter, and dates to the time before the brothers sold their Albany studio.
The second specimen is listed as Miller-530. Also struck in brass and measuring 28mm in diameter, the token dates to around the time that the brothers opened their New York studio.
Aaron Packard
Notes and Sources
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Gleason’s Pictorial Drawing-Room Companion Vol. 4, No. 6, Boston, February 5 1853, pg.96
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Gleason’s Pictorial Vol 2, No. 24, June 12 1852, pg.377
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The New-York Illustrated News, Vol. 3, No. 67, February 16 1861, pg.236
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Frank Leslie’s Illustrated Newspaper Vol. 5, No. 151, March 27 1858, pgs.268-269
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A Sad Mortuary Record, Suicide of an Eminent Photographer, The New York Times, January 28, 1865
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The Photo-Miniature Volume 4, Tennant and Ward, 1903, pg.555
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The First Photograph, Harry Ransom Center Exhibitions, The University of Texas at Austin
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Daguerre and the Invention of Photography, The Metropolitan Museum of Art
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The Daguerreian Society
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Visible Proofs, Forensic Views of the Body, National Library of Medicine, National Institutes of Health
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National Museum of American History, Behring Center, Smithsonian Institution
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The Smithsonian Institution Digital Collections
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National Portrait Gallery
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The Library of Congress Digital Archives
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The New York Library Digital Archives
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Southern Methodist University Digital Collections
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Standard Catalog of United States Tokens 1700-1900 Fourth Edition, Russell Rulau, Krause Publications, ©2004
- New York’s Crystal Palace & The H.B. West Tokens - November 6, 2019
- Edward Aschermann’s Cigar & Tobacco Tokens - November 2, 2019
- George T. Hussey & His Special Message Tokens - October 30, 2019
Hoping this gets to you, Aaron. Did your research provide any information about how Mary Meade ended her days? Did she continue the business alone? I’m curious about her as one of the earliest women daguerreotypists in the U.S.
Per my research notes, I believe she continued the business.
I see you wanted to know what happened to Mary Ann Meade. Well she was my 3rd great aunt. Henry W.M.Meade her oldest brother was my 3rd great grandfather and his youngest daughter Jesse was my 2nd great grandmother. Mary turned up closing down the photography business and by the early 1870 was running a boarding house and raising her brother Charles Meade’s Children. She died 17 Jan,1903.
Hi Alex –
Thank you for the additional information regarding Mary Ann Meade. It is greatly appreciated.
Kindest regards,
A. Packard
Curious about the fate of Mary Meade. Did she continue the business on her own after her brothers’ death?
Per my research notes, I believe she did.
I enjoyed the article. I found it while researching a Civil War era daguerreotype photograph of a Union soldier with his rifle, bayonet and colt revolver. Now I need to buy a token to go with the photograph and ornate case. Thank you!
You’re welcome. I’m glad you enjoyed the article.
Hello again, Aaron. Do you happen to remember where you got the information that Henry William Matthew committed suicide? The Smithsonian didn’t seem to include that fact about him in its collection of Meade materials…
Hi Nicole –
The information concerning the suicide of Henry Meade came from a New York Times Obituary published January 28th 1865. The link can be found here. It reads as follows:
The New York Times
A Sad Mortuary Record.; SUICIDE OF AN EMINENT PHOTOGRAPHER.
Published: January 28, 1865
Kind regards,
Aaron Packard